{"id":2928,"date":"2026-04-15T12:08:18","date_gmt":"2026-04-15T10:08:18","guid":{"rendered":"https:\/\/msgudjonsdottir.com\/?page_id=2928"},"modified":"2026-04-16T14:09:01","modified_gmt":"2026-04-16T12:09:01","slug":"from-the-finite-to-the-infinite-to-the-finite-to-the-infinite-to-the","status":"publish","type":"page","link":"https:\/\/msgudjonsdottir.com\/index.php\/from-the-finite-to-the-infinite-to-the-finite-to-the-infinite-to-the\/","title":{"rendered":"FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE&#8230; (2026)"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;PERFORMANCES&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#ece9ea&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE&#8230; (2026)&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE&#8230; (2026)&#8221; _builder_version=&#8221;4.27.6&#8243; text_font=&#8221;Dosis||||||||&#8221; text_text_color=&#8221;#8e8e8e&#8221; header_text_align=&#8221;center&#8221; header_text_color=&#8221;#595758&#8243; header_2_font=&#8221;|||on|||||&#8221; header_2_text_align=&#8221;center&#8221; header_2_text_color=&#8221;#777777&#8243; header_3_font=&#8221;Dosis||||||||&#8221; header_3_text_align=&#8221;left&#8221; header_3_text_color=&#8221;#000000&#8243; text_orientation=&#8221;justified&#8221; custom_margin=&#8221;|50px||50px|false|false&#8221; custom_margin_tablet=&#8221;|80px||80px|false|false&#8221; custom_margin_phone=&#8221;|15px||15px|false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><strong>FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE&#8230;\u00a0<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2026\/04\/Screenshot-2026-02-04-at-13.32.26.png&#8221; alt=&#8221;Liminal States (2024)&#8221; title_text=&#8221;Screenshot 2026-02-04 at 13.32.26&#8243; align=&#8221;center&#8221; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; animation_style=&#8221;fade&#8221; animation_duration=&#8221;2000ms&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE&#8230; (2026) TEXTE&#8221; _builder_version=&#8221;4.27.6&#8243; text_font=&#8221;Dosis||||||||&#8221; text_text_color=&#8221;#8e8e8e&#8221; header_text_align=&#8221;center&#8221; header_text_color=&#8221;#595758&#8243; header_3_font=&#8221;Dosis||||||||&#8221; header_3_text_align=&#8221;left&#8221; header_3_text_color=&#8221;#000000&#8243; text_orientation=&#8221;justified&#8221; custom_margin=&#8221;|150px||150px|false|false&#8221; custom_margin_tablet=&#8221;|80px||80px|false|false&#8221; custom_margin_phone=&#8221;|15px||15px|false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>\u00a0<\/h3>\n<h3><strong>Synopsis<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p>Choreographers and long term colleagues Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir and Marie Topp wish through their new site-specific 5 layered performance \u201cFROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE\u2026\u201d to invite the audience into their shared fascination and long-term artistic exploration of alternative temporalities of existence. Within a choreographed urban nature of any kind their proposal is to investigate the physical resonances and reflective processes that occur when a place is energetically transformed\u2014how bodies can mirror, resonate, and dance together. The work questions how connections arise, how to live experiences together and what triggers the unconscious mind by proposing points of departure into the unknown, fantastical and imaginative within the site specific context.<\/p>\n<p>Within each spatial context the audience move through the environment carried by text and sound by British cellist and composer Lucy Railton.They encounter a protagonist in the landscape. An unknown, a silhouette, an alien object in the environment. This unknown serves as the container of external realities that are not there. Inducing a foreign atmosphere. An atmosphere that would not be there otherwise.<\/p>\n<p>A film work by Milja Rossi will be the 5th chapter of the performance work, serving simultaneously as a trail &amp; a trace of the performance work, whilst being equally an artwork of its own. This site specific choreography is flexible and fluid and can therefore be installed, altered and rewritten for any given space and shared in whichever context we are invited to share the work within. Creating material which functions like interconnected elastic threads was a long standing wish of the creators to find new ways of working and touring and composing and living in unison with their own creations whilst accepting their ever evolving nature and living substance.<\/p>\n<p>Premiere at Valbyparken, Copenhagen 2026.<\/p>\n<p>Credits:<\/p>\n<p class=\"p1\">Concept: Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir &amp; Marie Topp<\/p>\n<p class=\"p1\">Choreography\/Direction: Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir<\/p>\n<p class=\"p1\">Choreography\/Performance: Marie Topp<\/p>\n<p class=\"p1\">Music: Lucy Railton<\/p>\n<p class=\"p2\">Costume Designer: Maria Ipsen<\/p>\n<p class=\"p2\">Video artists: Milja Rossi<\/p>\n<p class=\"p2\">Production leader: Mikka Mallow<\/p>\n<p class=\"p2\">Producer: Carlos Calvos<\/p>\n<p class=\"p2\">Production: Visible Effects<\/p>\n<p class=\"p2\">Co-produced by Sydhavn Teater, Inkonst Malm\u00f6,<\/p>\n<p class=\"p2\">Supported by: Danish Arts Foundation, William Demant Fonden, Wilhelm Hansen Fonden,<\/p>\n<p class=\"p2\">K\u00f8benhavns Kommune Scenekunstudvalg.<\/p>\n<p>&nbsp;<\/p>\n<p dir=\"ltr\">[\/et_pb_text][et_pb_video src=&#8221;https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2025\/04\/Liminal-States-trailer-website-opti.mp4&#8243; src_webm=&#8221;https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2025\/04\/Liminal-States-trailer-website-opti.mp4&#8243; image_src=&#8221;https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2025\/04\/liminal.png&#8221; thumbnail_overlay_color=&#8221;rgba(0,0,0,0.6)&#8221; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.27.4&#8243; custom_margin=&#8221;|100px|50px|100px|false|false&#8221; custom_margin_tablet=&#8221;|80px||80px|false|false&#8221; custom_margin_phone=&#8221;|10px|50px|10px|false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;||||false|false&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_video][et_pb_gallery gallery_ids=&#8221;2948,2950,2947,2949&#8243; fullwidth=&#8221;on&#8221; disabled_on=&#8221;off|off|off&#8221; _builder_version=&#8221;4.27.6&#8243; _module_preset=&#8221;default&#8221; text_orientation=&#8221;center&#8221; width=&#8221;600px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2024\/11\/eMego315-vinyl-.jpg&#8221; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE&#8230;\u00a0\u00a0 Synopsis &nbsp; Choreographers and long term colleagues Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir and Marie Topp wish through their new site-specific 5 layered performance \u201cFROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE\u2026\u201d to invite the audience into their [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:paragraph -->\r\n<p>Ceci est une page d\u2019exemple. 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J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p>\r\n<\/blockquote>\r\n<!-- \/wp:quote --><!-- wp:paragraph -->\r\n<p>... ou quelque chose comme cela\u00a0:<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:quote -->\r\n<blockquote class=\"wp-block-quote\">\r\n<p>La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p>\r\n<\/blockquote>\r\n<!-- \/wp:quote --><!-- wp:paragraph -->\r\n<p>En tant que nouvel\u00b7le utilisateur ou utilisatrice de WordPress, vous devriez vous rendre sur <a href=\"http:\/\/msgudjonsdottir.com\/wp-admin\/\">votre tableau de bord<\/a> pour supprimer cette page et cr\u00e9er de nouvelles pages pour votre contenu. Amusez-vous bien\u00a0!<\/p>\r\n<!-- \/wp:paragraph -->","_et_gb_content_width":"","footnotes":""},"class_list":["post-2928","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE... 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