[et_pb_section fb_built=”1″ admin_label=”PERFORMANCES” _builder_version=”4.16″ background_color=”#ece9ea” global_colors_info=”{}”][et_pb_row admin_label=”FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE… (2026)” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE… (2026)” _builder_version=”4.27.6″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_2_font=”|||on|||||” header_2_text_align=”center” header_2_text_color=”#777777″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|50px||50px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_image src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2026\/06\/5.jpg” alt=”Liminal States (2024)” title_text=”5″ align=”center” _builder_version=”4.27.6″ _module_preset=”default” animation_style=”fade” animation_duration=”2000ms” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE… (2026) TEXTE” _builder_version=”4.27.6″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
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Choreographers and colleagues Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir and Marie Topp co-authored an interdisciplinary audio walk performance \u201cFROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE\u2026\u201d.<\/p>\n
With this work they wish to invite the audience into their shared fascination and long-term artistic exploration of alternative temporalities as an inherent experiential field within our lives.<\/p>\n
Placed in urban nature or urban environment of any kind, their proposal is to investigate the physical resonances and reflective processes that occur when a place is energetically transformed with an alien presence. The work questions how connections and memories arise within the body by proposing points of departure into the unknown, fantastical and imaginative within a metropolitan context.<\/p>\n
Within each spatial contexts the audience moves through the environment carried by text and sound. During the walk they encounter a protagonist three different times . An unknown, a silhouette, an alien object in the environment. This unknown serves as the container of external realities that are not there. Inducing a foreign atmosphere. An atmosphere that would not be there otherwise. An atmosphere that brings questions into the environment and unveils hidden internal and external unconscious realities.<\/p>\n
A 6 minute film work by Milja Rossi serves as the 4th chapter of the performance work. The audience is given a QR code on location and drawn into digital space. The 6 minutes film offers an alternative perspective on what has been experienced tracing the journey of the protagonist in another space and time.\u00a0<\/span><\/p>\n During the creative process the performance material, film material,\u00a0 <\/span>text and sound were created to function like 4 interconnected elastic threads when laid out and stretched within the map of any given context and space.\u00a0<\/span><\/p>\n Premiere at Valbyparken, Copenhagen 2026.<\/p>\n Credits:<\/p>\n Concept: Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir & Marie Topp<\/p>\n Choreography\/Direction: Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir<\/p>\n Choreography\/Performance: Marie Topp<\/p>\n Music: Lucy Railton<\/p>\n Costume Designer: Maria Ipsen<\/p>\n Video artists: Milja Rossi<\/p>\n Production leader: Mikka Mallow<\/p>\n Producer: Carlos Calvos<\/p>\n Production: Visible Effects<\/p>\n Co-produced by Sydhavn Teater, Inkonst Malm\u00f6,<\/p>\n Supported by: Danish Arts Foundation, William Demant Fonden, Wilhelm Hansen Fonden,<\/p>\n K\u00f8benhavns Kommune Scenekunstudvalg.<\/p>\n <\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2026\/07\/Finite_compr_cred.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2026\/07\/Finite_compr_cred.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2026\/07\/infinitevideoimage.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” disabled_on=”off|off|off” _builder_version=”4.27.7″ custom_margin=”|100px|50px|100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px|50px|10px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][et_pb_gallery gallery_ids=”3024,2961,2973,2967,2972,2974,2975,2976,2966,2965,2978,2979,2971,2983,2980,2984,3023,2968,2969,2970″ fullwidth=”on” disabled_on=”off|off|off” _builder_version=”4.27.6″ _module_preset=”default” text_orientation=”center” width=”600px” module_alignment=”center” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”on|on|on” _builder_version=”4.27.3″ _module_preset=”default” disabled=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2024\/11\/eMego315-vinyl-.jpg” _builder_version=”4.27.3″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" FROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE…\u00a0\u00a0 Synopsis Choreographers and colleagues Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir and Marie Topp co-authored an interdisciplinary audio walk performance \u201cFROM THE FINITE TO THE INFINITE TO THE FINITE TO THE INFINITE TO THE\u2026\u201d. With this work they wish to invite the audience into […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p>\r\n<\/blockquote>\r\n\r\n ... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p>\r\n<\/blockquote>\r\n\r\n\r\n
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