[et_pb_section fb_built=”1″ admin_label=”PERFORMANCES” _builder_version=”4.16″ background_color=”#ece9ea” global_colors_info=”{}”][et_pb_row admin_label=” Conspiracy Ceremony-HYPERSONIC STATES (2017)” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=” Conspiracy Ceremony-HYPERSONIC STATES (2017)” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_2_font=”|||on|||||” header_2_text_align=”center” header_2_text_color=”#777777″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_image src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/08\/caty-johanna-suet-1-5-scaled.jpg” title_text=”_Conspiracy-Ceremony-HYPERSONIC-STATES” align=”center” _builder_version=”4.16″ _module_preset=”default” animation_style=”fade” animation_duration=”2000ms” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=” Conspiracy Ceremony-HYPERSONIC STATES (2017)” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
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A symphony of pathologies, sentiments, and physical states originating in the personal emotional body are on display in this latest work by Icelandic choreographer Margr\u00e9t Sara Gudj\u00f3nsd\u00f3ttir. Emotions rush through these bodies without filters. The viewer experiences extreme and at times painfully private states. Portraying the anonymous multitude, the five dancers are ceremonially surrendered to, and moved by, invisible forces, both political and energetic in nature, that are far greater than all of us. The Hyperstates<\/em> form a corporeal language that serves as a doorway into the subconscious. This language is marked by an infinite presence that reveals and provokes in the same moment. It transfers itself into the bodies of the audience as they meet the performers with full intensity. Together, they explore and confront the inner landscape of the de-bordered body, offering up an alternative reality of physical pleasure and pain that comes with surrendering to the Hyperstates<\/em>.<\/p>\n In Conspiracy\u00a0Ceremony<\/em>\u2013 Hypersonic States<\/em>, Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir <\/span>and her long-term artistic associates continue their in-depth research into a methodology that accesses physiological and emotional sub-worlds. Over a series of works (including the Blind Spotting Performance Series<\/em>), she has developed a new genre of performative body language, and an original working method that directly informs her creative outcomes.<\/p>\n Concept,\u00a0choreography, direction,costumes:\u00a0<\/strong>Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir\/<\/span>\u00a0Choreography\/Performance:<\/b>\u00a0Johanna Chemnitz, Catherine Jodoin, Laura Siegmund, Marie Topp, Suet-Wan Tsang\/\u00a0Music:\u00a0<\/strong>Peter Rehberg\/\u00a0Light design:\u00a0<\/strong>Martin Beeretz \/\u00a0Dramaturgical advice:\u00a0<\/strong>Zeina Hanna\/ Production\u00a0management:\u00a0<\/b>Elena Kr\u00fcskemper\/ Photos:<\/strong> Jeanette Ginslov\/\u200b. Funding and coproduction:\u00a0<\/strong>Senate Department for Culture and Europe, SOPHIENS\u00c6LE, L\u00d3KAL theater festival Iceland, Rann\u00eds – National funds for Performing Arts Iceland, Nordic Culture Fund.\u00a0<\/span><\/p>\n <\/p>\n <\/p>\n Internal emergencies<\/strong><\/p>\n And it is true that something incredible happens in this “conspiratorial ceremony” in which Gudjo\u0301nsdo\u0301ttir involves five dancers, most often separately. Little movement, no interaction or claim of communication with the space or the public. The hyper-state is an internal affair. And yet …No one, probably, has ever been so successful in rhyming with a state of choreographic urgency. Many contemporary choreographers have, however, got down to work. Without much result. Feeling what is going on within the body or mind of an interpreter usually requires the viewer to have an acute divining ability. Date: 22\/05\/2018 Thomas Hahn dansercanalhistorique.fr [\/et_pb_text][et_pb_video src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/09\/A-Somatic-Archiving-Living-Archives-Research-Project-Laura-02.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/09\/A-Somatic-Archiving-Living-Archives-Research-Project-Laura-02.mp4″ thumbnail_overlay_color=”rgba(0,0,0,0.6)” disabled_on=”on|on|on” _builder_version=”4.16″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” disabled=”on” global_colors_info=”{}”][\/et_pb_video][et_pb_text admin_label=”Trailer- full performance- photos” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n <\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/09\/A-Somatic-Archiving-Living-Archives-Research-Project-Suet-Wan-March.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/09\/A-Somatic-Archiving-Living-Archives-Research-Project-Suet-Wan-March.mp4″ thumbnail_overlay_color=”rgba(0,0,0,0.6)” disabled_on=”on|on|on” _builder_version=”4.16″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” disabled=”on” global_colors_info=”{}”][\/et_pb_video][et_pb_video src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/08\/Trailer-Conspiracy_Ceremony-HYPERSONIC_STATES-2017.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/08\/Trailer-Conspiracy_Ceremony-HYPERSONIC_STATES-2017.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/10\/conspiracy2.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.22.1″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][et_pb_video src=”https:\/\/msgudjonsdottir.com\/videosweb\/conspiracy%20ceremony.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/videosweb\/conspiracy%20ceremony.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/10\/conspiracy1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.22.1″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][et_pb_video src=”https:\/\/msgudjonsdottir.com\/videosweb\/longdoccieSOMAR01.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/videosweb\/longdoccieSOMAR01.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2021\/08\/DOCUMENTARY-HYPER-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” disabled_on=”off|off|off” _builder_version=”4.22.1″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][et_pb_gallery gallery_ids=”515,512,529,2116,533,521,519,2115,2113,1360,1059,1367,1366,2114″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Conspiracy Ceremony-HYPERSONIC STATES\u00a0 Synopsis & credits A symphony of pathologies, sentiments, and physical states originating in the personal emotional body are on display in this latest work by Icelandic choreographer Margr\u00e9t Sara Gudj\u00f3nsd\u00f3ttir. Emotions rush through these bodies without filters. The viewer experiences extreme and at times painfully private states. Portraying the anonymous multitude, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p>\r\n<\/blockquote>\r\n\r\n ... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p>\r\n<\/blockquote>\r\n\r\nReviews<\/strong><\/h3>\n
The Conspiracy Ceremony changes the game. With her research on myofascial release and her personal approach to somatic practices, Margre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttir has opened doors to the invisible and buried body memory. The performers manage, with a minimum of gestures, to create energetic fields that link their bodily presence to very powerful and almost palpable mental ones.<\/p>\n
BAGNOLET<\/p>\n\u00a0<\/h6>\n
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Trailer- full performance- photos<\/strong><\/h3>\n
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