[et_pb_section fb_built=”1″ admin_label=”PERFORMANCES” _builder_version=”4.16″ background_color=”#ece9ea” global_colors_info=”{}”][et_pb_row admin_label=”Step Right To It(2013)” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”Step Right To It (2013)” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_2_font=”|||on|||||” header_2_text_align=”center” header_2_text_color=”#777777″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_image src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/06\/Step-Right-To-It.jpg” title_text=”Step-Right-To-It” align=”center” _builder_version=”4.16″ _module_preset=”default” animation_style=”fade” animation_duration=”2000ms” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Step Right To It (2013)” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
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The performance \u201cStep Right To It\u201d is an ode to alienation and its hyper personal physical internalization and external disorientation.\u00a0Performers at the edge of the \u201cstage” and under the pressure of the audience gaze and the magnifying effect of stage representation; sound, light, staging. They step to “it” within a self-imposed incapacity to do so. In this very space, which represents time more than space, where IT is supposed to “happen” “between” them and those who have paid to watch them\u00a0What is about to appear is this latent territory, which could only appear in the vacuum of a construct, it is a result of the pressure and power of exposure and from the rejection of it.\u00a0The exchange between movers and viewers leads to two synchronized journeys.<\/p>\n
Concept, direction,choreography<\/b>: Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir\/Performers:<\/b> Marie Ursin, Rodrigo Vilarinho, Louise Dahl and Annie Kay Dahlstr\u00f6m\/Set and Light design<\/b>: Jens Sethzman\/Sound editing<\/b>: David Kiers, tracks:<\/b> Mage by Nic Sarno, Fluro Black by ARP 101 & Elliott Yorke, KTL Tony\/Producers: <\/b>MDT theater Stockholm (SE), DOCH\u00a0University of dance and circus in Stockholm\u00a0(SE)\/Photo:<\/b> Jens Sethzman<\/p>\n
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No flutter of an eyelid is accidental<\/strong><\/p>\n \u201cStep Right To It\u201d, by the Icelandic choreographer Margre\u0301t Sara Gudjo\u0301nsdo\u0301ttir. The four person choreography is minimalist and authoritative in front of its dark blue semi circular curtain. Everything is in slow motion. The performers \u2013 three women, one man dressed in everyday clothes \u2013 crawl on all fours, sometimes with a predatory elegance. They step out of the curtain and sink to the floor again and again, seeming as if they are about to faint or are in pain.\u00a0They enter from the right, disappearing again to the left taking a very long time. Each tired flutter of the eyelid seems choreographed. Almost nothing happens, there is almost no variation, yet the timing is immaculate. A tense anticipation is built in which you await every change of lighting, music or personnel.\u00a0Above all however, the 40 minute long \u201cStep Right To It\u201d shows a completely unique, wilful signature \u2013 all achieved with the least amount of original movement. There is a very special mixture, there is rigour and there is dramaturgy. That is also something not so easily copied.<\/p>\n Sylvia Staude , Frankfurter Rundschau 10.06.2014<\/em><\/p>\n [\/et_pb_text][et_pb_text admin_label=”Trailer – Full performance – Photos” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/09\/steprighttoit-trailer.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/09\/steprighttoit-trailer.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/10\/steprighttoit1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.22.1″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][et_pb_video src=”https:\/\/msgudjonsdottir.com\/videosweb\/step%20right%20to%20it.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/videosweb\/step%20right%20to%20it.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/10\/steprighttoit2.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” disabled_on=”off|off|off” _builder_version=”4.22.1″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][et_pb_gallery gallery_ids=”584,582,581,580,579,583,575,578″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Step Right To It (2013)\u00a0 \u00a0 Synopsis & credits The performance \u201cStep Right To It\u201d is an ode to alienation and its hyper personal physical internalization and external disorientation.\u00a0Performers at the edge of the \u201cstage” and under the pressure of the audience gaze and the magnifying effect of stage representation; sound, light, staging. They […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p>\r\n<\/blockquote>\r\n\r\n ... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p>\r\n<\/blockquote>\r\n\r\nTrailer – Full performance – Photos<\/strong><\/h3>\n
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