[et_pb_section fb_built=”1″ admin_label=”PERFORMANCES” _builder_version=”4.16″ background_color=”#ece9ea” global_colors_info=”{}”][et_pb_row admin_label=”In the blind spot (2015)” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”In the blind spot (2015)” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_2_font=”|||on|||||” header_2_text_align=”center” header_2_text_color=”#777777″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
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\u201cIn the Blind Spot\u201d takes the notion of letting go as it\u00b4s starting point and leads the body to the edge of collapse and utter surrendering. It strives to transform the supposed weakness of the spent body into something positive and celebrate it as the refusal of the achievement imperative,the fullness of its fragility revealing the unseen location of the non-resistant resistance. \u201cIn the Blind Spot\u201d expounds a very physical movement language, extracting the usual limits of identity and (self) assertion by its very softness. With limitless non-aggression it reveals and provokes simultaneously. The performance radically puts the singular body as the centerpiece. As if under a magnifying glass, hidden insides are brought to light.<\/span><\/p>\n The performance \u201cIn the Blind Spot\u201d belongs to the \u201cBlind Spotting Performance Series\u201c launched in 2014 by Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir. It is simultaneously the first part of Angela Schubot\u2019s 2015 solo trilogy \u201cK\u00f6rper ohne Macht\u201d (Powerless Bodies).<\/span><\/p>\n Direction, Choreography, Costume, Set design:<\/strong> Margret Sara Gu\u00f0j\u00f3nsd\u00f3ttir\/Performer\/choreography:<\/strong> Angela Schubot\/ Music:<\/strong> Peter Rehberg\/Light<\/strong>: Martin Beeretz\/ Thanks to:<\/strong> Zohar Frank\/Company management, PR:<\/strong> bj\u00f6rn & bj\u00f6rn. Photos:<\/strong> Benjakon\/Co-production:\u00a0Commissioned and produced by Angela Schubot<\/strong> with support from: Hauptstadtkulturfonds, Tanzfabrik Berlin, ada Studio, SOPHIENS\u00c6LE, HAU Hebbel am Ufer, CDC Uz\u00e8s Danse, Theater Freiburg, Schwankhalle Bremen and ImPulsTanz Wien.\u00a0<\/span>Co-produce by Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir <\/strong>with support from MDT Stockholm.<\/p>\n <\/p>\n A soft punch in the face against the performance requirements<\/strong><\/p>\n \u201c In the blind spot is one of the most interesting new pieces by Margret Sara Gu\u00f0jo\u0301nsdo\u0301ttir. <\/p>\n <\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/msgudjonsdottir.com\/videosweb\/In%20the%20blind%20spot.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/videosweb\/In%20the%20blind%20spot.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/10\/intheblindspot.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.22.1″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_video][et_pb_gallery gallery_ids=”883,592,591,263″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" In the blind spot Synopsis & credits \u201cIn the Blind Spot\u201d takes the notion of letting go as it\u00b4s starting point and leads the body to the edge of collapse and utter surrendering. It strives to transform the supposed weakness of the spent body into something positive and celebrate it as the refusal […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p>\r\n<\/blockquote>\r\n\r\n ... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p>\r\n<\/blockquote>\r\n\r\nReviews<\/strong><\/h3>\n
The non-performing body can have an extra charge \u2013 that provocation in a targeted community, as a target for various projections or concentration levels of the audience\u2019s consciousness in a dance performance. All this and much more is available in the Icelandic choreographers Margre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttirs consistently drilling work… she has stood out as one of the most interesting new artists presence to follow. The austere, minimalist and for both dancers and audience endurance demanding form is even more extreme than in previous work…deeply fascinating and scary… where physical transformation and social criticism go hand in hand. \u201cIn the blind spot\u201d can be seen as an act of defiance, a soft punch in the face to contemporary ideals\u201d.
Anna A\u030angstro\u0308m, Svenska dagbladet, 12\/04\/2016<\/em><\/p>\n\u00a0<\/h3>\n
Link to view trailer\u00a0<\/strong><\/h3>\n
https:\/\/www.tanzforumberlin.de\/en\/production\/in-the-blind-spot\/<\/strong><\/a><\/h5>\n
Full performance – photos<\/strong><\/h3>\n
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