[et_pb_section fb_built=”1″ admin_label=”PERFORMANCES” _builder_version=”4.16″ background_color=”#ece9ea” global_colors_info=”{}”][et_pb_row admin_label=”OCEAN GLORY – multimedia work installation performance (2019)” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text admin_label=”OCEAN GLORY – multimedia installation performance (2019)” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_2_font=”|||on|||||” header_2_text_align=”center” header_2_text_color=”#777777″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_image src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/08\/oceanglory.jpg” title_text=”oceanglory” align=”center” _builder_version=”4.16″ _module_preset=”default” animation_style=”fade” animation_duration=”2000ms” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”OCEAN GLORY – multimedia installation performance (2019)” _builder_version=”4.16″ text_font=”Dosis||||||||” text_text_color=”#8e8e8e” header_text_align=”center” header_text_color=”#595758″ header_3_font=”Dosis||||||||” header_3_text_align=”left” header_3_text_color=”#000000″ text_orientation=”justified” custom_margin=”|150px||150px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|15px||15px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
<\/p>\n
The video work & installation performance\u00a0Ocean Glory\u00a0<\/b>is the first artistic outcome from this collaboration. It was commissioned by Savy Contemporary in Berlin and shown on the 9<\/strong><\/span>th<\/sup><\/span><\/strong>\u00a0of November 2019 as part of an exhibition\u00a0‘The long time you cannot afford. On the distribution of the toxic’<\/i>\u00a0curated by Antonia Alampi and Caroline Ektander.<\/strong>\u00a0In continuation of that it was shown on the 18th of November 2019 at the Flutgraben Performance Series event at Flutgraben in Berlin.<\/strong><\/span><\/p>\n Ocean Glory (25 min, HD single-channel video, 2019) is the 2nd artwork deriving from the new art-practice-as-research project S-I-L-I-C-A that investigates the production process behind the making of semiconductors in solar cells and microelectronics. The film was developed from research footage shot by the artist in a silica mine in SW-Australia, on silica terminal in the port of Albany, SW-Australia and in a silica processing plant on the coast of North-Iceland and geothermal energy plant in the highlands above it. After receiving a commission the initiator of the project Hulda R\u00f3s Gu\u00f0nad\u00f3ttir recruited composer Gu\u00f0n\u00fd Gu\u00f0mundsd\u00f3ttir to compose a soundscape from sound recorded on location, in what Gu\u00f0n\u00fd calls progression of sounding elements, and choreographer Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir to adapt her research on automatic compositional full body states called Hyperstates, to support the sensorial intimate experience of the audience and encounter of an inner and outer reality. The politics of ‘Ocean Glory’ happens in intimate moments when the states of the dancer and the soundscape serves to open up a doorway to the reality of the film. Instead of approaching the subject of the film by taking a critical stance towards something identified as being external and belonging to others the audience is invited to become aware of how the state of the world resonates within his own body. It is in the state of the dancers that ambiguity, new truths and thoughts can breathe, form and come to life.<\/span>\u00a0\u00a0<\/span><\/p>\n Credits<\/b><\/span><\/span><\/p>\n Laura Siegmund for performance, Nils Banthien for sound design, Dennis Helm for green screen camera and post-production, Siggi ‘zoom’ for drone camera operation, Sigf\u00fas J\u00f3nsson and Tim Maisey for sound recording, Erin Honeycut for text proofreading, Benjamin Gow and Tash Rolfe for location management and coordination. Editing and other camera work is credited to the artist. Special thanks go to Leighton Debarros, Sumanth Surendran and Sunna J\u00f3na Gu\u00f0nad\u00f3ttir for goodwill and for Icelandic Art Fund for support.<\/span><\/strong><\/p>\n <\/p>\n Photos<\/b><\/span><\/span><\/p>\n <\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/msgudjonsdottir.com\/videosweb\/Conspiracy%20Archives%20Malmo-Oct%2029%202018-opti2.mp4″ src_webm=”https:\/\/msgudjonsdottir.com\/videosweb\/Conspiracy%20Archives%20Malmo-Oct%2029%202018-opti2.mp4″ image_src=”https:\/\/msgudjonsdottir.com\/wp-content\/uploads\/2020\/06\/fondnoir.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” disabled_on=”on|on|on” _builder_version=”4.16″ custom_margin=”|100px||100px|false|false” custom_margin_tablet=”|80px||80px|false|false” custom_margin_phone=”|10px||10px|false|false” custom_margin_last_edited=”on|phone” disabled=”on” global_colors_info=”{}”][\/et_pb_video][et_pb_gallery gallery_ids=”752,734,736,735,747,748″ fullwidth=”on” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Ocean Glory- multimedia work (2019) \u00a0 Synopsis and credits The video work & installation performance\u00a0Ocean Glory\u00a0is the first artistic outcome from this collaboration. It was commissioned by Savy Contemporary in Berlin and shown on the 9th\u00a0of November 2019 as part of an exhibition\u00a0‘The long time you cannot afford. On the distribution of the toxic’\u00a0curated […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p>\r\n<\/blockquote>\r\n\r\n ... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p>\r\n<\/blockquote>\r\n\r\n\r\n
\r\n