[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ background_color=”#ece9ea” global_colors_info=”{}”][et_pb_fullwidth_header title=”PUBLICATIONS” header_fullscreen=”on” admin_label=”PUBLICATIONS : TEXT” _builder_version=”4.26.0″ title_font=”Dosis|700||on|||||” title_text_align=”center” title_text_color=”#9b9996″ content_font=”Dosis|500|||||||” content_text_align=”center” content_text_color=”#727272″ subhead_font=”Dosis|700|||||||” subhead_text_align=”center” subhead_text_color=”#bbbab8″ subhead_font_size=”20px” background_color=”#ece9ea” background_layout=”light” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” custom_padding=”0px|||||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
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-Philosopher Dr. Lucilla Guidi\u00a0did a postdoctoral at Hildesheim University\u00a0 on the research project “Performance and language games as transformative events”. Which focuses on the systematic relationship between aesthetic and philosophical exercises based on Gu\u00f0j\u00f3nsd\u00f3ttir’s somatic choreography and Wittgenstein’s philosophy of language. The research project aims to establish a systematic connection between aesthetic and philosophical practice. 2017-2022.<\/strong><\/p>\n <\/p>\n <\/p>\n \n – CATALYSTS-Somatic Resonance. A Mixed Reality Somatic Archive of Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir\u2019s choreographic work (2013 \u2013 2018). Margr\u00e9t Sara Gu\u00f0j\u00f3nsd\u00f3ttir & Susan Kozel with Jeannette Ginslov and Keith Lim. A Living Archives Publication, 2022\u00a0<\/span><\/strong><\/p>\n <\/p>\n <\/p>\n \n – “AUTONOM”, Artificial intelligence and theatre. A catalogue with 30 performative creations from the AUTONOM special program. Fonds Darstellende Ku\u0308nste e.V. May 2022<\/strong><\/p>\n <\/p>\n <\/p>\n \n – “Confronting hyper reality”, Margre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttir in dialog with Susan Kozel. Contribution to the Sophiensaele jubilee publication, 2021.<\/strong><\/p>\n<\/div>\n <\/p>\n<\/div>\n<\/div>\n <\/p>\n -“Within distinction we are all equal”, Margre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttir. Contribution for the publication “Lie & Theft as Practice”.\u00a0\u00a0Artistic Director and Editor Darko Dragi\u010devi\u0107. Series of Goethe-Institut, 2021.<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n <\/p>\n \u2013 Performing Phenomenology: The Work of Choreographer Margre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttir, in Phenomenology as Performative Exercise, eds. Lucilla Guidi and Thomas Rentsch, for the Studies in Contemporary Phenomenology series, Brill Publishers, 2021.<\/strong><\/p>\n <\/p>\n<\/div>\n <\/p>\n \u2013 Margre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttir & Susan Kozel, \u201cMargre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttir\u2019s Full Drop into the Body. A Conversation with Susan Kozel and Public Discussion\u201d, in \u201cEnergetic forces as aesthetic interventions\u201d, Sabine Huschka (ed.), Transcript Verlag, 2019.<\/strong><\/p>\n <\/p>\n \u2013 Susan Kozel, Margre\u0301t Sara Gu\u00f0jo\u0301nsdo\u0301ttir, Jeannette Ginslov and Keith\u00a0Lim, \u201cConspiracy Archives \u2013 a process archive of an archival process\u201d, in \u201cArtistic Doctorates in Europe (ADiE) Resource\u201d, Vida Midgelow et al. (eds.), TEAK publications, 2018.<\/strong><\/p>\n<\/div>\n <\/p>\n<\/div>\n<\/div>\n \n \u2013Danjel Anderson, \u201cPost dance: But They Are Not Dancing?\u201d. Danjel Andersson, Mette Edvarsdsen and Marten Spa\u030angberg(eds.). Published by MDT 2017.<\/strong><\/p>\n \n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_fullwidth_header][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" -Philosopher Dr. Lucilla Guidi\u00a0did a postdoctoral at Hildesheim University\u00a0 on the research project “Performance and language games as transformative events”. Which focuses on the systematic relationship between aesthetic and philosophical exercises based on Gu\u00f0j\u00f3nsd\u00f3ttir’s somatic choreography and Wittgenstein’s philosophy of language. The research project aims to establish a systematic connection between aesthetic and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\r\n Ceci est une page d\u2019exemple. C\u2019est diff\u00e9rent d\u2019un article de blog parce qu\u2019elle restera au m\u00eame endroit et appara\u00eetra dans la navigation de votre site (dans la plupart des th\u00e8mes). La plupart des gens commencent par une page \u00ab\u00a0\u00c0 propos\u00a0\u00bb qui les pr\u00e9sente aux visiteurs du site. Cela pourrait ressembler \u00e0 quelque chose comme cela\u00a0:<\/p>\r\n\r\n Bonjour\u00a0! Je suis un m\u00e9canicien qui aspire \u00e0 devenir acteur, et voici mon site. J\u2019habite \u00e0 Bordeaux, j\u2019ai un super chien baptis\u00e9 Russell, et j\u2019aime la vodka-ananas (ainsi qu\u2019\u00eatre surpris par la pluie soudaine lors de longues balades sur la plage au coucher du soleil).<\/p>\r\n<\/blockquote>\r\n\r\n ... ou quelque chose comme cela\u00a0:<\/p>\r\n\r\n La soci\u00e9t\u00e9 123 Machin Truc a \u00e9t\u00e9 cr\u00e9\u00e9e en 1971, et n\u2019a cess\u00e9 de proposer au public des machins-trucs de qualit\u00e9 depuis lors. Situ\u00e9e \u00e0 Saint-Remy-en-Bouzemont-Saint-Genest-et-Isson, 123 Machin Truc emploie 2 000 personnes, et fabrique toutes sortes de bidules super pour la communaut\u00e9 bouzemontoise.<\/p>\r\n<\/blockquote>\r\n\r\n\r\n
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