– CATALYSTS-Somatic Resonance. A Mixed Reality Somatic Archive of Margrét Sara Guðjónsdóttir’s choreographic work (2013 – 2018). Margrét Sara Guðjónsdóttir & Susan Kozel with Jeannette Ginslov and Keith Lim. A Living Archives Publication, 2022 

– “AUTONOM”, Artificial intelligence and theatre. A catalogue with 30 performative creations from the AUTONOM special program. Fonds Darstellende Künste e.V. May 2022


– “Confronting hyper reality”, Margrét Sara Guðjónsdóttir in dialog with Susan Kozel. Contribution to the Sophiensaele jubilee publication, 2021.


-“Within distinction we are all equal”, Margrét Sara Guðjónsdóttir. Contribution for the publication “Lie & Theft as Practice”.  Artistic Director and Editor Darko Dragičević. Series of Goethe-Institut, 2021.


– Performing Phenomenology: The Work of Choreographer Margrét Sara Guðjónsdóttir, in Phenomenology as Performative Exercise, eds. Lucilla Guidi and Thomas Rentsch, for the Studies in Contemporary Phenomenology series, Brill Publishers, 2021.


– Margrét Sara Guðjónsdóttir & Susan Kozel, “Margrét Sara Guðjónsdóttir’s Full Drop into the Body. A Conversation with Susan Kozel and Public Discussion”, in “Energetic forces as aesthetic interventions”, Sabine Huschka (ed.), Transcript Verlag, 2019.


– Susan Kozel, Margrét Sara Guðjónsdóttir, Jeannette Ginslov and Keith Lim, “Conspiracy Archives – a process archive of an archival process”, in “Artistic Doctorates in Europe (ADiE) Resource”, Vida Midgelow et al. (eds.), TEAK publications, 2018.


–Danjel Anderson, “Post dance: But They Are Not Dancing?”. Danjel Andersson, Mette Edvarsdsen and Marten Spångberg(eds.). Published by MDT 2017.